Ed: I’ve always loved the movie Yankee Doodle Day with James Cagney as George M. Cohan. In the movie, Cohan and his partner Sam Harris meet with a producer, and Harris sits at the piano while Cohan “pitches” their story for a show in less than 15 minutes. Pitch. The idea stuck with me for a while. Over the years I’ve become disturbed at the production costs creative teams incur in the early stages of developing their musicals. So The PITCH came into being as a way for creative teams to receive feedback about their work without any out-of-pocket expenses. This summer, The PITCH will be hosting 20 new musicals, which we hope will give them a start on the way to being fully realized productions. I suspect that a number of wonderful ideas for shows have never reached fruition because of the financial burdens that accompany the development process. It is my wish that, in a small way, this will remedy that problem.
Me: What was the process like curating all the musicals that will be presented as a part of The PITCH?
Ed: Oh, it was great fun. Highly amusing as we were going through the shows. The PITCH Coordinator, Walter Ryon, is based in New York City, so he was in a perfect position to establish personal relationships with creative teams. The finalists were vetted by the Finger Lakes Musical Theatre Festival staff, and then the final selections were made.
Ed: Oh, it was great fun. Highly amusing as we were going through the shows. The PITCH Coordinator, Walter Ryon, is based in New York City, so he was in a perfect position to establish personal relationships with creative teams. The finalists were vetted by the Finger Lakes Musical Theatre Festival staff, and then the final selections were made.