Pages

Showing posts with label Stephen Sondheim. Show all posts
Showing posts with label Stephen Sondheim. Show all posts

Thursday, January 31, 2013

Playing a Game of Catchup

Hey, all! I know there's been a lot of radio silence on the blog lately; unfortunately, some of my other writing projects have been taking up a lot of my time and I haven't had a chance to really dive into the musical theatre scene yet this year. One of the biggest things on my plate was working on putting together a reading of my own work, The Memory Queen, which I'm happy to say went well last week. It was a great experience, though something that originally made me feel like this:


Made me also feel like this right beforehand:


Still, I survived and learned a lot and will hopefully be on the scene again blogging for you. That being said, there's a lot of new musical theatre stuff going on right now on the interwebs that has been doing my job for me. Here are some links to check out:
  • On Crazytown, Michael Ruby has started an interview series with a bunch of great new composers.
  • On NYTimes.com, Lynn Ahrens, Joe Iconis, and Marcy Heisler write songs about Mayor Bloomberg in celebration of Encores! Fiorello!
  • Kerrigan and Lowdermilk had their first West Coast show! Watch songs from the concert here.
  • Smash this season will feature songs from Drew Gasparini, Pasek and Paul, and Joe Iconis. Read about them here, and see "Broadway Here I Come" from the first episode of the new season.

Tuesday, May 8, 2012

Lullabies of Broadway: Over the Moon

When I think of lullabies, I think of the tin song in a music box or the tune of a mobile, rotating in a crib. The kinds of bedtime songs I think of are nursery rhymes, kiddy songs to lull an infant into a state of submission. It would seem that as adults we have less of a need for lullabies-- but then I think to the fact that I still often need a song to carry me off to sleep, and I realize that they might be more relevant than I had originally thought.

To raise money for breast cancer research and support, Kate Dawson and Jodi Glucksman have co-produced the new album Over the Moon, a collection of 26 lullabies written by premiere theatre composers and recorded for the first time. Performed by Broadway stars, this collection boasts songs by the likes of Stephen Sondheim, Maury Yeston, Tom Kitt, Adam Gwon, Timothy Huang, and Marcy Heisler and Zina Goldrich. The amount of talent on this CD is unreal, and all the money goes to a good cause.

Last night was a concert celebrating the project and featuring 13 of the 26 songs sung live by some incredibly talented artists, including Marc Kudisch, Nikki M. James, and Marva Hicks. With every song performance was a projection of an illustration that can also be found in the picture and ebook versions of the album, which are all available for purchase from the project's website. For a sampling of some of the music performed last night, here are a couple of behind-the-scenes clips:




What I think I love most about this project in particular is how it brought the art of the lullaby back into the public consciousness. Thought they are deceptively simple, they serve a very important purpose-- what is it that we most want to hear before we go to sleep? What kind of comfort can we offer? Much like the mission of this project, lullabies seek to reassure us of the things we have and the life we've lived-- it's a reflection on love and time and a gentle wish into the future.

Friday, December 9, 2011

Dissecting the Cow

Best part of Sondheim in conversation with Anna Quindlen at Barnes and Noble last night? When they both spoke of seeing a Mondrian retrospective and the effect it had on their outlook on art and life. Both of them spoke so eloquently and passionately about their realization that, in the process of watching Mondrian go from visually dissecting a cow to his Broadway Boogie Woogie, they were witnessing an artist coming into his own voice. For Sondheim, a similar transition came to him when he heard the score for "Company." More than anything, though, it also highlighted the importance of learning a strong technical foundation in order to break out and come into one's own.

An illuminating moment for them made for an illuminating moment for everyone in the room.

Tuesday, December 6, 2011

All I Want For Christmas

Holiday shopping is always a stressful exercise, but during a time when it's the thought that counts, why not use this as an opportunity to share new music and writers with your friends and family?

Like last year, the go-to gift for any lyricist/composer/librettist in your life was Sondheim's first book, and this year its companion, Look, I Made a Hat, is hitting the shelves again just in time for the holidays. You can even get the "Hat Box" with both books -- if your musical theatre enthusiast hasn't already beaten you to the punch.

When it comes to recordings, there are a few go-tos that are topping my personal wish list and are becoming staples on my gift list for others. For stocking stuffers, look no further than Shaina Taub's EP, What Otters Do, which will be sure to charm any folksy, jazzy fans for only $3.99 a pop. Today also marks the official release of The Burnt Part Boys cast recording, a gorgeous little show that I loved at Playwrights Horizon last year (What are the chances for a recording of The Shaggs come next year? Now that would be a Chrismakkuh miracle). And if you or anyone you know doesn't have a copy of Kooman & Dimond's Out of Our Heads or Georgia Stitt's My Lifelong Love, you should get on that ASAP.

For a more creative gift that also supports new artists, try taking part in some crowd funding projects. Right now, Ryan Scott Oliver and Matthew Murphy are raising money through Kickstarter for a recording and performance of their show 35MM, the project that gave birth to favorite songs like "Hemming and Hawing," "The Ballad of Sara Berry," and, yes, "Crazytown." Depending on your donation level, you can score swag like the finished cast recording, signed posters, and even a limited edition photo print. You can also support the Steampunk musical, Futurity, by band The Lisps as they work to produce a cast recording of their show. Use the Kickstarter campaign to pre-order the album for loved ones, and follow it up with tickets to their Joe's Pub concert on December 16th.


If you would rather treat your friends to some quality time, drinking in the holiday spirit, there are many winter concerts on the horizon. My New York Christmas tradition involves Joe Iconis and family debauchery at Ars Nova for the Joe Iconis Christmas Spectacular. Strapped for cash? Check out free concerts from a ton of new musical theatre writers as a part of the Broadway's Future at Lincoln Center and at the NYTB D-Lounge on December 11 and 12.

As the year winds down, it's nice to remember what the holidays are all about: family, friendship, love, and good will. How can music not make its way into that equation?

Saturday, December 11, 2010

Gifts that Keep on Giving

So while the holidays are rapidly approaching, I still thought I would do a quick post with some gift suggestions for a musical theatre enthusiast, whether they are a composer, writer, or just fan of the genre.

The most talked about theater gift this season is undoubtedly Stephen Sondheim's masterpiece, Finishing the Hat, which I am currently in the process of reading. Anyone interested in the theater will enjoy the anecdotes, and any writer will absolutely see the value in the beautifully laid out lyrics and Sondheim's comments on them. It's a really gorgeous book, and both its content and respectful packaging really make this perfect for any book collection.

As mentioned in past posts, Sh-K-Boom has come out with some really amazing albums this past year from many of the composers mentioned in this blog. New releases include Joe Iconis' Things to Ruin and cast recordings for Adam Gwon's Ordinary Days and Michael Friedman's Bloody Bloody Andrew Jackson. New releases on the way include CDs of work by composers Will Van Dyke, Jonathan Reid Gealt, and Scott Burkell and Paul Loesel -- so you can pre-order any of those as well. Also, remember the code EMERGING10 will still get you 10% off your order on the website at checkout until 12/31!

If you have an actor/singer to shop for, get them some sheet music through NewMusicalTheatre.com. Also soon to be available is the first book of Ryan Scott Oliver's music, which is now available for pre-order here. Or go the extra mile and get tickets to the RSO launch party at Joe's Pub on February 7 for a special someone, and every ticket will get you a free copy of the book.

Another nice gift can come in the form of an experience. I love to buy my friends tickets to shows, and what better to get you in the holiday spirit than getting seats for Joe Iconis' Christmas Spectacular next weekend? Also coming up? A Will Van Dyke concert at (Le) Poisson Rouge on January 17. Quality time and a show? Everyone wins!