Second ACTS - Changing Careers Through a Musical

When Mark Hagan contacted me about his new show, Ripper, written with MCHM partner Michael Carach, I was eager to hear more about the show and their development process. Rather than write about it myself, I asked them to put together a guest post (the first and last guest post with R.C. Staab and Daniel Sturman was last August) talking about their project. Below is their account of the beginning of MCHM, the inspiration behind writing Ripper, and the challenges on the horizon as they look towards a production.

Formed in 1985, MCHM was the summer folly of two youths growing up in rural New Jersey. Best friends Michael Carach (MC) and Mark Hagan (HM) would spend their endless summers rewriting current Broadway shows to create parodies for their friends. Armed with a tape deck and a crude microphone from Radio Shack, the duo would sing along with popular shows at the time and compile them into new shows with new lyrics and story lines. “We never put these shows together for anyone but our small circle of friends, but we always dreamed of someday being able to write a real show from scratch" says Hagan. This eventually led them to build a small play theatre in the loft of Mark's parent's barn like a scene out of “Our Gang.” Nothing came of that venture except for dust choked rehearsals and a chaotic fantasy dance sequence that nearly brought the house down...literally.

The two went on to college some twelve hundred miles apart and upon graduating, entered wildly different careers. Hagan worked as an architect for some twenty years. During that period he started a record label (www.GlobalDance.com) and attempted to enter the music industry only to find it to be a closed system where the independent artist had few opportunities to be heard. Meanwhile Carach became a television director, writer, and finally a production manager for live television events where he later went on to win two Emmy Awards for technical excellence.

Quickly approaching mid-life when most professionals are simply funding their 401K accounts, they discussed re-booting their careers and starting over as writers. They would begin this effort by trying to write that “real show” they had dreamed about since High School. “Neither of us knew what the other could produce, but the planets had realigned and MCHM once again began to write.” says Carach from his backyard writer's retreat.

What came from five years of intensive writing, re-writes and musical scoring, MCHM's Ripper was born. “Back in the eighties is when Mike and I experienced Broadway. It was a time of large-scale British imports of bombastic proportions, usually based on some historic events like the French revolution or the Paris Opera House's resident ghost. It was at that time that the greatest unsolved mystery entered my consciousness” says Hagan. “I always thought it would make a jarring and aggressive musical. The idea gestated for a few years until I saw a PBS documentary on the subject suggesting the Royal Family's private doctor may have been involved. So I thought to myself- there is a lot here that COULD have happened and perhaps there are some valid reasons to why the mystery was never solved despite modern day forensics. When Mike and I sat down to begin work years later, we decided we would take Dan Brown's The DaVinci Code approach where we would construct a completely original piece based on historical facts. Our goal was never to solve the mystery, but to present a show where the audience could draw their own conclusions and come away with some possible explanations of why the mystery was never solved.”